daicehawk писал(а):
âîëøåáíûå ïóçûðüêè - â åãî àðàíæèðîâêå, òàéìèíãå è âûáîðå ñåìïëîâ. à ïîòîì ñàìè îíè âñå ãîâîðÿò - çâóê íå áåðåòñÿ èç ñåìïëåðà, îíè ýêâàëèçóþò íà äæ-ïóëüòå ÄÎ ÑÅÌÏËÈÍÃÀ òàê, êàê íàäî.
íó ñîáñòâåííî èíòåðâüþ ñ ïèòîì:
http://gc.guitarcenter.com/interview/peterock/
íåñêîëüêî âûäåðæåê
Why did you switch over from the SP1200 back in the day?
Well, I didn't want to pigeonhole myself with the same SP sound. I wanted to try new equipment and new things. With the SP, I was doing a lot more work manually, just to try to get the samples in there. The MPC came with so much sample time, three minutes, that's more than enough time to sample whatever you need.
So the biggest difference was sampling time?
Yeah.
The SP gives you a fatter sound than the MPC though. The MPC's still good if you know how to EQ your sounds to make it sound like an SP.
What gives the SP better sound?
It just has that raw sound, especially when you're EQ'ing your sounds before you sample them. It just gives you back a heavy sound. Everything you've heard in my career up to 1999, 2000, those beats were all coming from the SP. Compare that to Soul Survivor 2 and this new one. You can hear the difference in the beats. No other drum machine can really compare to the special old analog sound of that drum machine. The old E-Mu systems, the SPs - they knew what they were doing.
ñîáñòâåííî âîò ÷òî äóìàåò îá ýòîì ïèò ðîê. ýêâàëàéçåð ó íåãî, êñòàòè, íå èç äèäæåéñêîãî ìèêñåðà, à standalone. íå ïîìíþ êàêàÿ êîíêðåòíî ìîäåëü, ê ñîæàëåíèþ, è èíòåðâüþ ýòî íå íàõîäèòñÿ.
ÿ íå ñïîðþ ñ òåì, ÷òî ìóçûêó ïèøóò íå èíñòðóìåíòû, à ëþäè, íî åñëè ÷åëîâåê óðîâíÿ ïèòà ðîêà ãîâîðèò ïðî òî ÷òî sp-1200 ýòî èíòñðóìåíò ñî ñâîèì îñîáûì çâóêîì, òî ÿ ñîãëàñåí åìó ïîâåðèòü. òåì áîëåå êàê óæå ïèñàë, ïî çâóêó ðàáîòû íà sp îòëè÷àþòñÿ. à â ëó÷øóþ èëè õóäøóþ ñòîðîíó êàæäûé ðåøàåò äëÿ ñåáÿ ñàì.